| Digital artist |
•Visual Artist & Motion Designer•
'I create art that transcends trends. Art with soul, with a reason for its own existence'
Cromwell is a self-taught digital artist specializing in creating generative images and animations through visual programming. Using languages like Processing, she composes unique and dynamic visualizations, exploring the infinite possibilities offered by code.
Her work, characterized by the synergy between form, color, and movement, generates captivating and immersive atmospheres. Whether it's a still image or an animated piece, each creation is unique and explores new frontiers in the realm of algorithmic art.
Taking care of the synergy of all the elements of her visuals, she creates an atmosphere that captivates, making each visual unique from its lines, forms of reaction, music, lights and colors.
International Exhibitions and Collaborations:
- ETHDenver 2026, Colorado (Feb 2026): Winner and exhibitor of Technē-Core, a flagship visual study of high-fidelity mechanical evolution, showcased at the ETHDenver Art Gallery.
- Illust AR, Colorado (Feb 2026): Presented Infinitude, an immersive Augmented Reality experience, in collaboration with Illust AR Creator Studio.
- ICANN2025, Ireland (Nov 2025): Featured Deep Resonance, an immersive Augmented Reality experience exploring digital-biological connectivity for the .Art domain ecosystem during the ICANN international summit.
- Taipei Art Week, Taiwan (Oct 2025): Exhibited Landscape Reimagined at Taipei LumiTree, a high-scale visual reinterpretation of Medina Kasimova’s work in collaboration with .Art.
- Parnas Tower, Seoul (Oct 2025): Featured Landscape Reimagined in a monumental digital display at the Parnas Tower, showcased during a curated international collaboration in Korea.
- Root Fruit 2 Festival, Philadelphia (Oct 2025): Presented Eden Prisma, a generative exploration of light and form at the Cira Green urban park.
- Taipei Lumitree, Taiwan (Jan - Apr 2025): Multiple featured commissions including Mechatronics, Scarlet Symphony: Dragon’s Awakening, and The Sea of Lights for the Lunar New Year: The Year of Joy exhibition series.
- Miami Art Week (Dec 2024): Showcased Sophi’s Dream at the Reflective Surfaces exhibition with Art Innovation Gallery, and a secondary collaborative installation with the Zao Chella team.
- Rally XYZ Collaboration (Oct 2024): Designed The S5 Rally Code, an exclusive generative piece for Series 5 of the Rally App ecosystem.
- Youth for Privacy Exhibition (Nov 2024): Exhibited Datashield, a visual conceptualization of data privacy and cybersecurity for the Artists & Technologists global initiative.
- Taipei Lumitree, Taiwan (Nov - Dec 2024): Featured Algorithmic Currents as part of the City Lullaby art program, presented by The Hugxyz and Tiger Party New York.
- NFT.NYC 2024, New York (Apr 2024): Featured Soul Edge as part of the official international digital art selection in New York City.
- Light Visions, New York (Sep 2024): Exhibited Neon Coral, a study of bioluminescence and digital textures with Art Innovation Gallery.
- Non-Fungible Conference (NFC24), Lisbon (Jul 2024): Presented Tesseract, a visual experiment in spatial dimensions in collaboration with Public Bored and Apecoin DAO.
- Times Square, New York (Apr 2024): Neon Stingray was featured on a monumental scale at 1605 Broadway, a massive public digital art display curated by Art Innovation Gallery.
- Japan Web3 Week, Tokyo (Feb 2024): Exhibited Amor Fati at the Tokyo Big Sight, representing algorithmic aesthetics in collaboration with NOX Gallery.
- Floating Pixels, Miami (Dec 2023): Participation in the digital art showcase during Miami Art Week with Art Innovation Gallery.
- Mombo Gallery, Spain (May 2023): Coherence was selected for the International Art Exhibition Spring 2023 in Madrid.
- NFT.NYC 2023, New York (Apr 2023): International debut of Vive la Vie as part of the global curated selection.
- Equal Bytes by Excedrin (2023): Winner in the TOP 10 for the artwork Vive la Vie, recognizing excellence in digital creative expression.
